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The Deposition (1602) oil on canvas cm. 180x137 | Pieter Paul Rubens

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Pieter Paul Rubens, the genius of European Baroque, painted his Deposition during his first stay in Rome. Rubens provides us with an extraordinary interpretation of the theme of the incarnation of the divine and human nature of Christ, suspended between death and potential future life. All the shades of the spectrum of light are apparent in the flesh tones, with an opalescence that develops that mother of pearl quality first introduced by Federico Barocci (see also the contrast between the living hand of Mary Magdalen and the bluish tinge of Christ's as compared with Raphael's painting).
The impact made on Rubens by Roman Statuary can be seen in the antique altar with sacrifice scenes, but above all in the strong sculptural high relief of the figures. The dense chromatic texture of the composition owes much Titian's later works, while the airy vibrato and gentle rhythms echo Correggio's achievements. The light unexpectedly bursting through the dark area of the painting provides evidence that Rubens competed in an original way with the chiaroscuro experiments of his contemporary Caravaggio.
Guide to the Galleria Borghese
K. H. Fiore
Paperback, 16,5x23 cm, pp. 128, 141 col. ill.
€ 14,00

The volume introduces Cardinal Scipione Borghese's outstanding collection of art. The works exhibited in this fine 17th-century building include paintings and sculptures from the 15th to 18th century (Raphael, Correggio and Caravaggio), sculptures (Bernini), bas-reliefs and mosaics.
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